Veronica sits in the violet / purple family, with the hex code #A020F0 mapping to rgb(160, 32, 240) in RGB and hsl(276.9, 87.4%, 53.3%) in HSL. In OKLCH it carries 57% perceptual lightness and 0.274 chroma — a highly saturated, dark reading that behaves well as a primary, accent or decisive colour in modern interfaces. Violet historically required the most expensive dyes, which is why it still carries associations with luxury, royalty and creativity. In modern UI it has become the signature of imaginative, "premium" tech — the colour brands choose when blue feels too utilitarian.
Violet historically required the most expensive dyes, which is why it still carries associations with luxury, royalty and creativity. In modern UI it has become the signature of imaginative, "premium" tech — the colour brands choose when blue feels too utilitarian.
Deep violets render almost identically to navy on small screens — keep at least 0.10 chroma in OKLCH or it will collapse to "dark blue" in users' minds.
#A020F0rgb(160, 32, 240)hsl(276.9, 87.4%, 53.3%)hsv(276.9, 86.7%, 94.1%)lch(44.43% 106.49 312.54)oklch(56.55% 0.2741 306.39)lab(44.43% 72 -78.47):root {
--color: #a020f0;
--color-rgb: rgb(160, 32, 240);
--color-hsl: hsl(276.9, 87.4%, 53.3%);
--color-oklch: oklch(56.55% 0.2741 306.39);
}How veronica performs as foreground text on common surfaces, scored with WCAG 2.1.
Tints are produced by mixing veronica with progressively more white.
Shades are produced by mixing veronica with progressively more black.
Tones are produced by mixing veronica with progressively more gray, lowering chroma while keeping lightness.